Ragas And Its Westerns Forms
Gour Sarang
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Raag Gour Sarang

Intro Sa   Re   Ga Ma Ma Pa   Dha   Ni Sa
 

 

E   F#   G# A A# B   C#   D# E

Formula -> 1    2    3    4   #4     5    6      7
                   E   F#  G#  A   A#   B   C#   D#
This belongs to Kalyan THAAT. Timing --> noon
Baadi -> G# (Ga)
Sambaadi ->C# (Dha)
Nyash ->G#
Ascending ->        ( E  G# F# A G#....B A# C# B D# C# E)
Descending ->    ( E C# D# B  C# A# B G#....A F# B F# E)
Critical alankar application -> G# F# A G#

Restrictions -> Indirect application of G# and D# and as such it is a minor restriction.
Pakad -> E G# F# A G# B F# E

BC#A#B   

G# AF#E

F#EG#F#

AG#G#A

BC#A#B

AG#C#A#

BG#AF#

EEG#F#

AG#BA#

C#BD#C#

ED#C#B

BBC#B

D#C#EF#

EC#D#B

A#A#BB

G#AF#B

G#AF#E

AG#F#E

F#F#EE

EG#F#A

G#G#BA#

G#AG#B

BBD#C#

ED#C#B

AG#AC#

G#AC#B

G#AF#E

AG#BB

C#D#ED#

G#AC#B

These are some authentic note structures of Gour Sarang. If some more such note structure is required then they can contact me at my email address.

Ragas and its western forms is a continuous approach. Like this raga there will be so many other ragas in "Ragas and its Western Forms" section. 

Exemplary sound clipping of Gour Sarang is attached herewith.  It is created from the ascending,descending and pakad notes. It is copyright protected.

Gour Sarang ©